Les Misérables Volume 4, Chapter 4 Summary

A Cab Runs in Slang

Éponine silently guards the Plumet gate and thwarts Thénardier and six ruffians who plan to break into the house at night.

Summary

The chapter takes place the evening of 3 June 1832 near the Rue Plumet and the Rue Monsieur, where Marius has slipped into the Rue Plumet and entered the garden of the cottage. Éponine, who has been watching Marius for days, follows him secretly and hides in the niche beside the garden railing, recognizing the bar he had moved. She waits motionless for over an hour. Later a passerby hurried away in alarm after hearing a low threatening voice; soon after, six men—Thénardier and five ruffians (Claquesous, Guelemer, Babet, Brujon, and Montparnasse)—approach separately and reunite at the gate, discussing a planned burglary and how to force the gate.

As the gang inspects the railing, Éponine abruptly reveals herself and confronts them, claiming Thénardier as “your daughter” to startle him. She greets each of the ruffians in turn, deliberately suppressing the slang she normally uses since she has known Marius. The men intend to enter and search the house; Éponine obstinately resists. She threatens to call the police, to wake the household, and to denounce them, and then adopts a fierce, mocking stance—declaring she is “the dog,” daring them to come on. Thénardier angrily urges her to move aside; she taunts and refuses, sits down, hums a tune, and holds them at bay. The six ruffians, humiliated and uncertain in the face of the lone girl’s audacity, confer and finally decide to withdraw. As they leave, Montparnasse threatens she would have been killed if they had wanted to, and they vanish into the darkness. Éponine follows them quietly as they disperse along the boulevard.

Key events

  1. Marius slips into the Rue Plumet garden; Éponine follows and hides by the loosened bar.
  2. Six men—including Thénardier and five ruffians—converge to force the gate and burgle the house.
  3. Éponine suddenly reveals herself and startles the ruffians by calling Thénardier 'your father.'
  4. She threatens to raise an alarm and refuses to let them enter, adopting fierce, mocking language.
  5. The gang, humiliated and uncertain, debates and ultimately withdraws; Montparnasse admits he would have killed her if ordered.
  6. Éponine follows the retreating men to the boulevard, watching them melt into the night.

Analysis

This chapter foregrounds Éponine’s courage, resourcefulness, and the complexity of her loyalties. Up to now a peripheral streetwise girl, she here becomes an active protector of the Plumet house: her knowledge of the loosened bar, her quick recognition of Thénardier and his gang, and her capacity to manipulate both tenderness and menace reveal a layered character. The scene contrasts domestic quiet and the criminal underworld—household safety is defended not by authority but by a marginalized young woman. The chapter also sharpens Thénardier’s role as both family man and criminal leader; his uneasy interaction with Éponine exposes the perverse family bonds that animate him. Hugo uses dialogue heavy with slang and colloquial menace to render the ruffians vividly, then undermines their projected ferocity by showing them cowed by Éponine’s bravado, which inverts expectations about gender and power.

Structurally, the episode heightens suspense around the Plumet house (and Marius’s presence) while remaining self-contained: it stops before any larger consequences, preserving dramatic tension. The chapter’s recurrent animal imagery—Éponine calling herself a dog and barking—functions as symbolic reclamation: she adopts a bestial persona to roam the human moral landscape, both defiant and discarded. The narrative voice alternates between vivid street detail and psychological insight, using small theatrical tableaux (the ruffians’ approach, the sudden revelation, the withdrawing) to develop character rather than advance plot directly, deepening the novel’s social and moral textures.

Important quotes

“There’s a dog.”

ÉponineÉponine suddenly reveals herself and warns the ruffian who is inspecting the gate, startling him and halting their attempt.

“I’m the dog, and I don’t care a straw for you. Go your way, you bore me! Go where you please, but don’t come here, I forbid it!”

ÉponineShe adopts a ferocious, mocking posture and declares she will not allow the gang to enter, using animal imagery to assert her defiance.

Characters in Volume 4, Chapter 4

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