The Prince Chapter 7 Summary
New Principalities by Fortune
Machiavelli compares rulers who rise by fortune to those who rise by ability, using Cesare Borgia and Francesco Sforza as examples.
Summary
Machiavelli explains the difficulties faced by men who become princes through the arms or favour of others or simply by good fortune. He argues that such men have an easy rise but a precarious rule because they depend on the goodwill and luck of their patrons and lack the preparatory knowledge, loyal forces, and firm foundations necessary to hold power. Rapidly acquired states are structurally fragile unless the new prince is exceptionally able and immediately works to secure his position.
He contrasts two recent Italian examples: Francesco Sforza, who from private life rose to be Duke of Milan by his own ability and then kept his state with comparative ease, and Cesare Borgia (Duke Valentino), whom Alexander VI raised. Machiavelli recounts the steps Cesare takes—weakening rival factions, winning over Roman gentlemen, using French assistance, crushing enemies at Sinigaglia, installing a severe governor (Ramiro d’Orco), then orchestrating that governor’s execution to win popular approval, and seeking alliances to guard against French or papal reversal. Machiavelli praises the thoroughness of Cesare’s measures to create durable foundations, while noting that unexpected events—chiefly the premature deaths and illnesses of key figures like Pope Alexander and the duke himself—undermined the project. The chapter closes with the lesson that new princes raised by fortune must imitate Cesare’s methods: secure supporters, eliminate hostile families, win the people, craft loyal forces, and manage foreign relations carefully, while avoiding strategic mistakes such as enabling a hostile pope.
Key events
- Argues that princes raised by fortune find it easy to rise but hard to hold power.
- Contrasts Francesco Sforza (successful self-made duke) with Cesare Borgia (raised by papal favour).
- Describes Cesare’s strategy: weaken rival factions, win Roman gentlemen, use French aid.
- Narrates the Sinigalia deception and extermination of opposing leaders.
- Relates use and disposal of Ramiro d’Orco to placate the populace.
- Explains how Alexander’s death and the duke’s sickness ruined Cesare’s long-term success.
- Concludes with practical maxims for new princes to secure their rule.
Analysis
This chapter functions as a focused practical lesson within The Prince: it applies the book’s central concerns to the common case of rulers raised by others’ arms or sheer luck. Machiavelli uses comparative example—Sforza versus Cesare—to dramatize his argument about foundations and preparedness. The narrative technique is analytic yet illustrative: general principle, historical exemplum, then concrete list of measures. The Cesare episode supplies narrative tension and moral ambiguity: his ruthless methods (deceit at Sinigalia, Ramiro’s brutality and public execution) are depicted as politically effective rather than morally condemned, reinforcing Machiavelli’s separation of ethical judgment from statecraft. Symbolically, the executed governor left on the piazza with the bloody knife becomes an image of calculated theatricality—political violence staged to cleanse a ruler of culpability and win public favor. The chapter also foreshadows recurring themes in the book: the need for prudent cruelty, manipulation of public perception, reliance on one’s own arms, and the decisive role of fortune and contingencies (illness, death) that can undo even the best-laid plans. Structurally, this chapter bridges theoretical maxims and concrete examples, preparing readers to apply Machiavelli’s prescriptions to other historical cases in later chapters.
Important quotes
“Those who solely by good fortune become princes from being private citizens have little trouble in rising, but much in keeping atop; they have not any difficulties on the way up, because they fly, but they have many when they reach the summit.”
NarratorOpens the chapter with the central thesis about the instability of fortune-made princes.
“And because he knew that the past severity had caused some hatred against himself, so, to clear himself in the minds of the people, and gain them entirely to himself, he desired to show that, if any cruelty had been practised, it had not originated with him, but in the natural sternness of the minister.”
NarratorExplains Cesare’s political staging—using and then publicly punishing his harsh minister to win popular support.
“Therefore, he who considers it necessary to secure himself in his new principality, to win friends, to overcome either by force or fraud, to make himself beloved and feared by the people, to be followed and revered by the soldiers, to exterminate those who have power or reason to hurt him, to change the old order of things for new, to be severe and gracious, magnanimous and liberal, to destroy a d”
NarratorSummarizes the practical lessons new princes should learn from Cesare Borgia’s conduct.
Characters in Chapter 7
- Francesco Sforza
- Cesare Borgia
- Pope Alexander VI
- King Louis
- Orsini
- Colonnesi
- Signor Pagolo
- Ramiro d’Orco
- Baglioni
- Vitelli
- Julius the Second
- San Pietro ad Vincula
- Colonna
- San Giorgio
- Ascanio
- Rouen
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